Some long‑term Wavelab users might find the new look and layout disorientating initially, but it didn't take me long to adjust, and having done so I would never go back to the now clunky‑looking Wavelab 6. I found this really helped me focus on the job in hand, compared with the faux metalwork of Wavelab 6. Wavelab 7 has a different look to its predecessors, with a rather more subdued, yet sophisticated graphic feel.
#Wavelab 7 download mac windows#
Notice also the four buttons of the Windows Switcher, here superimposed on the spectrum editor display towards the centre of this screenshot. Wavelab 7 sports a new and more sophisticated graphic look that's less distracting on the eye, a neat new set of tabbed Tool windows, and flexible Tab Group options to arrange your files on screen.
#Wavelab 7 download mac Pc#
For the first time ever, Wavelab is now cross‑platform, enabling Mac users to directly experience what all the fuss has been about for so many years, but there are a lot of new features for PC users as well, from a new workflow concept, high‑end restoration tools and 30 VST3 format plug‑ins to a state‑of‑the‑art CD‑burning engine. It's still largely the work of one man, Philippe Goutier, and each time I review a new version I wonder how on earth he can improve it any further, but with Wavelab 7 he's done it again, and in a big way. I've been using Steinberg's Wavelab for audio editing, mastering, and restoration on an almost daily basis since version 1.6, way back in 1997 when CD burning and real‑time plug‑ins were first added, and have watched it grow from a good stereo editor, through the excellent sampling, looping and analysis functions of Wavelab 2, the multitrack Montage additions of Wavelab 3 for assembling layered files and compiling albums from individual tracks, the graphic redesign and plug‑in bundle of Wavelab 4 and the DVD‑Audio and video montage support of Wavelab 5, to the eye‑boggling spectrum display and editing options of Wavelab 6.
However, the option to launch a Control Window disappears from the main menu when working in Audio File mode.Steinberg's Wavelab has spread its wings to become the only truly cross‑platform stereo editing package - and in the process, it's undergone a comprehensive makeover. One further workspace type – Control Window – saves and recalls layouts from the software’s comprehensive range of metering, analysis and metadata panels. There’s some sense to this, but it isn’t the tidiest approach. While each of these modes appear to operate independently, certain features such as the Master Section remain linked. There are four editing modes – audio file, audio montage, batch processing and podcast – and each has its own set of workspaces. It could be more streamlined, though, with numerous mouse clicks required to recall a workspace. Panels slide across the screen to make room as you drag others around, and there are numerous shortcuts for arranging them neatly.Ī new Workspaces feature lets you save and recall panel layouts.
The tabbed docking-panel approach has been done many times before, but this implementation is particularly impressive. Our main criticism with the previous version was its clunky, dated interface, so we’re happy to see a thorough redesign this time around.